All concern demands for, and of, specific places, particularly moving between two places; all are about measuring or marking time, or the lapse of time; and about nature or the normal or the trivial; about coincidence, loneliness or separation, chance, and choice; about impressions you cannot put a word to; and all contain a moment of insight that has transformative power, and some fantastic thing that simply and blankly happens (a trick of the setting sun, a sudden onset of wind through high trees, an encounter); and about transcendence entering the everyday.
Stanley Cavell, "On Eric Rohmer's A Tale of Winter", Cavell on Film, Albany, State University of New York Press, 2005, p. 288.
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